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PAGLIACCI

Oct 17, 2018
Opera in Conversation: "Art for Community Connection and Resiliency" Takeaway
Don't miss this iconic production at Opera Omaha, Oct 19th and 21st! Tickets start at $19: https://ticketomaha.com/Productions/pagliacci A big thank you to all who attended or spoke at the third Opera In Conversation of Pagliacci! In case you missed it, here are some takeaways from “Art for Community Connection and Resiliency": Our third Opera in Conversation for the production of Pagliacci brought together three local artists, Courtney Cairncross, Rita Paskowitz, and Paula Wallace, to speak on how communities use art and shared experiences to build connection, community resiliency, and overcome trauma. While the relationship with Pagliacci might not at first be obvious, the production actually served as...
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Oct 10, 2018
Opera in Conversation: "Verismo Opera" Takeaway
Don't miss this iconic production at Opera Omaha, Oct 19th and 21st! Tickets start at $19: https://ticketomaha.com/Productions/pagliacci A big thank you to all who attended or spoke at the second Opera In Conversation! In case you missed it, here are some takeaways from “Verismo Opera”: Head of Music Sean Kelly explored the verismo opera movement, including famous works and composers like Leoncavallo’s Pagliacci, and the elements of this musical style. The stylistic changes of the time were apparent in the music both orchestrally and vocally. Verismo was drawn from the naturalism literary movement in France; it was thought that literature should approach life as a scientist would ...
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Oct 3, 2018
Opera in Conversation: "Opera and Film: Fellini and Italian Neorealist Cinema" Takeaway
Don't miss this iconic production at Opera Omaha, Oct 19th and 21st! Tickets start at $19: https://ticketomaha.com/Productions/pagliacci A big thank you to all who attended or spoke at the first Opera In Conversation! In case you missed it, here are some takeaways from “Opera and Film: Fellini and Italian Neorealist Cinema”: Both verismo style opera (such as Pagliacci by Ruggero Leoncavallo) and Italian neorealist cinema (such as La Strada by Frederico Fellini) sought to bring to light marginalized lifestyles and people of society rather than those of kings, nobles, and the wealthy. This trend can also be traced in visual art and literature from Édouard Manet, Gustave Flaub...
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Sep 21, 2018
A Clownish Contradiction
Don't miss this iconic production, Pagliacci, at Opera Omaha, Oct 19th and 21st! Tickets start at $19: https://ticketomaha.com/Productions/pagliacci Clown-inspired characters have appeared many times onstage but also onscreen. Why are we so fascinated with them? Is it the iconic face paint, the goosebump-inspiring kit of creepy props… or is it the blatant contradiction displayed by many clowns in popular culture? In the case of Stephen King’s It, Pennywise the Clown is a combination of innocence and terror. Batman’s iconic Joker is gleeful and sociopathically violent. As for Leoncavallo’s Canio in Pagliacci, he is a combination of buffoonery and hot jealousy. Fellini, in his film I Clowns...
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Sep 14, 2018
Pagliacci: From Stage to Hip Hop Track
Don't miss this iconic production, Pagliacci, at Opera Omaha, Oct 19th and 21st! Tickets start at $19: https://ticketomaha.com/Productions/pagliacci Pagliacci, a work of the 2018-19 Opera Omaha season telling the tale of street performers Canio and Nedda and a love triangle, has been cited in seemingly distinct platforms for many years. The work is referenced by a line in the jazz song The Masquerade is Over , first recorded by Larry Clinton and His Orchestra in 1939, and carried on by many other jazz singers, including the well-respected songstress Billie Holiday, which incorporates the lyrics "I guess I'll have to play Pagliacci and get myself a clown's disguise / And ...
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